Showing posts with label conservatories. Show all posts
Showing posts with label conservatories. Show all posts

Sunday, August 28, 2011

Gunnebo - the ultimate riches to rags in less than a generation


Gunnebo from the south side facing the formal French gardens with bosquets surrounded by lime alleys.

At first sight, Gunnebo's looks are utterly deceiving. Like a shining pearl, this petite 18th century palace stands on top of a ridge, forming a perfect centre point to its well-manicured, French-inspired gardens leading away along north and south facing axes. But in all its minute perfectness, Gunnebo really is a memorial to a love story that went awfully wrong; a mistress that seduced and held its masters captured until all their means were exhausted.


The terraced entrance garden facing north. Originally, Gunnebo's orangery and greenhouses contained over 100 lemon-, bitter lemon and orange trees, almond, mulberry, bay and olive trees, 125 pineapples grown in containers and over 200 species of other exotic plants. All these were the first to perish after John Hall Jr.'s bankruptcy. Today, some of the species are displayed on the terraces. 

Gunnebo was built as a summer residence for John Hall Sr. (1735-1802), a son of a British immigrant who became a successful Gothenburg merchant; for some time, he was one of the wealthiest men in Sweden. After acquiring the lands of Gunnebo in 1778 he gave Carl Wilhelm Carlberg, then the town architect of Gothenburg, completely free hands to design everything from the house, utility buildings and gardens to the smallest interior details as door handles and flower pots.
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Clearly a dream commission for any architect, Carlberg embarked on a creative frenzy seldom experienced in the usually simplicity-loving Scandinavia. He had just returned from a lengthy visit to central Europe full of inspiration and ideas, and in Gunnebo, he got a unique chance to put all of them in practice. Especially fond of the Palladian villas of Italy and gardens of Louis XIV in France, he held them as model at Gunnebo despite the huge difference in scale. No expenses were saved; with strict attention to detail and workmanship, Carlberg hired the carpenters and craftsmen, overlooked the building work and even paid their wages.


The beautiful kitchen gardens and utility buildings were reconstructed in the 1990s according to Carlberg's original drawings. The produce is used at the excellent restaurant housed in the yellow building in the first picture, worth even a longer trip to visit.   

Twenty four years later in 1802, John Hall Sr. died without seeing Gunnebo being finished. Up till then, over 600 000 riksdaler had been spent on it, and the costs were still running with no end in sight. As a comparison, Carlberg's annual salary was 150 riksdaler; the head gardener of Gunnebo had to make with 50 riksdaler a year. Christina Hall, John Sr.'s wife, wrote already in 1794 to a friend how the project was draining their resources, and just five years after John Sr.'s death, his son John Hall Jr. (1771-1830), a bohemian and artistic man without any business skills, was declared bankrupt. Still a wealthy man and equally obsessed with Gunnebo as his father, he tried to regain it through several unsuccessful lawsuits and eventually became destitute in the process. John Hall Jr. spent the last years of his life begging and wandering around the streets of Stockholm; in the end, his worn out and threadbare body was found in a roadside gutter of the city centre.

The orangery, also reconstructed in the 1990s after drawings from beginning of the 19th century. The kitchen gardens are planted creatively to provide both produce and to be visually attractive. Here cardoons and marigolds mingle together. 
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Soon after the bankruptcy, Gunnebo fell into deep decay. The luxurious plants in its orangery and greenhouses died, the ponds of the gardens grew over and its windows crashed in the storms; a contemporary eyewitness described it as a 'living corpse". The fast fall from immense riches to the deepest misery attracted visitors from afar and the dilapidated house with its overgrow gardens became a popular attraction in Gothenburg. In 1832, what remained of Gunnebo was sold on auction for 6786 riksdaler to a new owner. In 1948, the city of Mölndal bought Gunnebo. In 1990s, it went through an extensive restoration and reconstruction, meticulously executed after Carlberg's original drawings and carried through with authentic 18th century methods and materials.



Magnificent stairs lead from the house to the formal gardens on the south side, a pool with a fountain and clipped lime trees act as a end to the central axis. The formal style of Gunnebo was considered old-fashioned already when it was being built; surprisingly, the English landscape garden style that otherwise was all the rage during that time made no impact in Carlberg despite his spending over a year in the country during his travels.
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I visited Gunnebo with my family for the first time in 2006. Initially, I had difficulties in comprehending what had gotten such a talented business man as John Hall Sr. to spend so much on something that gave him nothing in return? And his artistic son to hold on to something as material as a house and a garden, instead of letting it go and living a comfortable life secured by the means he had inherited? 

During that visit, we ended up in the middle of a 18th century enactment, complete with children dressed in period clothes and a battle taking place on the otherwise bucolic fields of the English park behind the French terraces and bosquets of the formal gardens. The buildings had only just been finished according to the original drawings and specifications from the original period. Usually, I am a real 'ruin romantic'; I love the patina and decay that only real passing of time can generate, so I was uncertain what to think about this gleaming building with its manicured gardens. But instead of longing for the patina, Gunnebo's polished state made me feel I was transferred to the time of its first owners, who sadly never saw it finished. I could understand, or maybe more feel, what had seduced the Halls - both Senior and Junior - so badly that they never recovered. Gunnebo was, and now again is, the perfect little palace (really too small to be called as such), an escapist dream inspired by the southern latitudes of Europe, landed amongst the northern forests and shores of Sweden. A folly, yes, but a beautiful one.

One of the few places at Gunnebo where the passing of time is evident...

We all dream, and in our gardens, we often express those dreams with the choices we make. And maybe that is why Gunnebo still manages to captivate us with its charms, two hundred years after it was originally built. It was and still is the ultimate dream its first owners, and simply by being that it resonates with the dreams that we all bear inside us, whatever the final outcome.

Wednesday, July 9, 2008

Volunteer Park Conservatory

The Volunteer Park Conservatory
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Sometimes your GPS leads you to places you did not really think of visiting - at least just then. These mistakes can sometimes turn out really well. Last February, when we were visiting Seattle to try to figure out where to live, the GPS in our rental can directed us to Seattle Asian Art Museum, instead of Seattle Art Museum. This meant that I found Volunteer Park Conservatory on this first trip to Seattle. I felt directly much more friends with the city as this place was just like one of my old favourites in Sweden, the Palm House at the Garden Society of Gothenburg.


Palm House at Volunteer Park

The Palm House in Gothenburg was erected in 1878 and Volunteer Park Conservatory in 1912. Though on a small scale, they share a similar history. Both were fashioned after the Crystal Palace in London, the huge cast iron and glass structure by Joseph Paxton which housed the Great Exhibition of 1851 (and burned down in 1936). Volunteer Park Conservatory is situated on Capitol Hill in Seattle, and the park surrounding it was designed by John Olmsted and Frederick Law Olmsted Jr. (nephew-stepson and son of Frederick Law Olmsted Sr., well known for his design for N.Y. Central Park). It was manufactured in New York and shipped to Seattle.

Palm House at Volunteer Park

Volunteer Park Conservatory has five houses representing different environments from the world. The entrance leads you directly to the Palm House, with many species of palms, an Orchid Collection, anthuriums from Hawaii and Central America, Crotons, Musa (banana) and Hedychium (ginger) plants.


Fern House at Volunteer Park

To the left from the Palm House, you come to the Fern House, which numerous species of ferns and other tropical plants. Also, this house has a collection of primitive plants from the dinosaur era and diverse carnivorous plants. The permanent plant collections are "hotted up" with displays of exotic seasonal plants, such as Brugmansias, Aristolochias, Passifloras, Begonias etc. In my eyes, a little less would have done more, but I'm sure many of the visitors appreciate these colourful additions.


Bromeliad House at Volunteer Park

Bromeliad House contains a large collection of well... members of the bromeliad family, of which pineapple is one of the most well-known ones. Many of these plants are epiphytes attaching themselves on rough sufraces as tree branches or rocks. Tillandsias are also shown in this room.


Cactus House at Volunteer Park

The fourth house is the Seasonal Display House, which I found quite boring (this time) with lots of blue Hydrangeas and other uninteresting plants. The only quite interesting plant here was the Amorphophallus titanum, which is expected to flower again some time in late July 2008. This plant was discovered in 1878 by Italian botanist and explorer Odoardo Beccari (1843-1920) in Sumatra, at the height of plant hunting during the Victorian era. It has the largest undivided inflorescence of all plants, and reminds of... well, just what it's name means.
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Cactus House at Volunteer Park

Cactus House at Volunteer Park
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The fifth and last room is the Cactus House, with cacti and succulents, all adapted to dry and hot conditions. As the leaflet from Volunteer Park says, all cacti are succulents, but not all succulents are cacti. Last February, when I visited this conservatory for the first time, many of the cacti were flowering vibrantly. Now, most of them were just looking prickly - or maybe I was born far too North to really appreciate their beauty.

Cactus House at Volunteer Park


Cactus House at Volunteer Park.