Sitting in the garden in the end of the 19th century; trees were rewered and left even in quite impractical places, as here by the pathway. Tegelön, Villa Berga 1900, photo courtesy of Nacka lokalarkiv.
Family sitting in front of their small house, Klockargården, 1900. Their garden is mostly used for growing edibles. Photo courtesy of Stockholms Länsmuseum.
Blooming potato plants in front of a small house, Sjöviken 1900. Photo courtesy of Stockholms Länsmuseum.
So, if things are simplified quite a bit, three main styles of garden were typical during this period. The smaller houses, "egnahem" like the ones above, had much of their garden allocated to fruit trees and kitchen gardens, even if the owners often grew ornamental plants, often in flowerbeds near the house or as edging the pathways. Typical plants besides edibles were Syringas, peonies, honeysuckles, Philadelphus, bush roses, and other hardy and easy to propagate garden stalwarts.
A newly planted garden in the formal or architectural style; Herrgårdsvillan i Saltsjö-Duvnäs, early 1900's. Photo courtesy of Nacka lokalarkiv.
A garden in the natural style, interestingly combined with a kitchen garden in front; Skepparbacken 1 in Saltsjö-Duvnäs, early 1900's. Photo courtesy of Nacka lokalarkiv.
Houses for the better off, which in Sweden are called "villas" after a word of Italian origin, had gardens in the "formal or architectural style" or in the "natural style" - or even combined these both, if the owner could not quite decide or thought that this was needed for the situation. August Brunius, a well-know Swedish writer of this time, described these styles in his book Hus och Hem (House and Home) from 1912. He wrote that the formal or architectural style took the building as starting point and followed its geometrical plan into the garden with straight lines and pathways, walls, terraces and stone laid sitting areas. The natural style avoided disturbing the nature around the buildings and followed the lines of the nature, with curved pathways and often rounded forms. According to Brunius, the style of the house and the character of the owner (!) should guide which style should be chosen, or if these should be combined (which actually was typical for the gardens of the Arts and Crafts movement). Of course, Brunius ideas did not develop in insulation, but followed closely the discussion of his time and his predecessors; for example William Robinson's and Reginald Blomfield's fights between the naturalistic and the formal gardening styles to mention one of the most famous garden controversies.
A garden in the natural style; Bergvägen in Saltsjö-Duvnäs, early 1900's. Photo courtesy of Nacka lokalarkiv.
Bergvägen in Saltsjö-Duvnäs in 2007; almost no traces are left of the original garden; the house stands totally exposed, with only one old pine tree to the right to shade or give proportion to it.
A garden in the natural style; with typical picket fence, flag pole and a sitting group in the shade. Most of the trees around the house have been saved while building the house to make it sit in the landscape. Bergvägen in Saltsjö-Duvnäs, early 1900's. Photo courtesy of Nacka lokalarkiv.
The same house at Bergvägen now; no trees left, only lawn and more lawn...
It is difficult to say if we have made any progress in gardening within the last hundred years; when looking at the pictures above, I would claim the opposite. So often, when listening to my garden customers in Sweden, they told they "did not have any garden" or that they only have these "horrible conifers" (mostly firs and pine trees). The ordinary house owner seemed either to be afraid of real nature and/or have forgotten everything that was held in value for hundred years ago; that the beauty of nature itself could be appreciated, even very near our abodes. (And here, I don't mean the naturalistic plantings that have been popular for the last ten or fifteen years; beautiful as they are, they still are highly arranged works of gardening, often with many plants not native to their countries.) I understand that for some of us, a garden with this much "nature" could be too much to bear and that many prefer cultivating their gardens in a more elaborated style; but wouldn't it be lovely if we could at least partly revive the thinking from Karin's time and keep some of these gardens intact?